Introduction
As Maurizio Calbi has argued, Shakespeare is a constant spectral presence in contemporary culture. Two years after having dedicated its annual conference to “Shakespeare after Shakespeare”, the Société Française Shakespeare chose to answer a haunting question: how has Shakespeare been constructed,...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Actes des congrès de la Société française Shakespeare
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | As Maurizio Calbi has argued, Shakespeare is a constant spectral presence in contemporary culture. Two years after having dedicated its annual conference to “Shakespeare after Shakespeare”, the Société Française Shakespeare chose to answer a haunting question: how has Shakespeare been constructed, be it literally in “bound” form with the publication of his plays in the early Quartos and Folios, or figuratively with the strictures of early modern England, and how has he been “unbound”? To wha... |
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