The Spectacle of Sovereignty: The Abject Multitude in Marlowe’s The Massacre at Paris and Shakespeare’s 1 Henry IV.
Surprisingly, mere religious difference is not the only source of fear in Marlowe’s The Massacre at Paris despite the play’s focus on the religious violence of the St. Bartholomew Day Massacre. Instead, like Shakespeare’s 1 Henry IV, representation of mimetic desire perpetuates the threat of interne...
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| Izdano u: | URI:https://journals.openedition.org/shakespeare, |
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| Glavni autor: | |
| Format: | Article ou chapitre numérique |
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Actes des congrès de la Société française Shakespeare
2018
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |