“Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra
Critical discussions of Cleopatra’s resonance in Renaissance drama have long been dominated by Shakespeare’s Antony and Cleopatra, a trend that has often marginalised Mary Sidney’s play, The Tragedy of Antonie, as well as its source, Robert Garnier’s Marc Antoine, and its sequel, Samuel Daniel’s Cle...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Actes des congrès de la Société française Shakespeare
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |