“Your Painted Counterfeit”. The paragone between portraits and sonnets in Shakespeare’s work
My work analyzes the way in which Shakespeare elaborates upon the traditional association established between painting and poetry, with particular attention to the ambiguous affinity between the art of drawing portraits and that of verbal praising – specifically in the writing of sonnets. In the Son...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Actes des congrès de la Société française Shakespeare
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |