“Be stone no more”: Maternity and Heretical Visual Art in Shakespeare’s Late Plays
The fierce confessional dispute over the sense of sight and the delusive nature of images which tore apart early modern England during the Reformation, together with its intertwined story of iconoclasm and resistance, dilapidation of images and their recovery, is what marks at the core England’s rel...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Actes des congrès de la Société française Shakespeare
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |