Phenomenology and Affect: Qiu Jiongjiong’s Madame
IntroductionQiu Jiongjiong’s Madame (Gu Nai Nai姑奶奶, 2010) portrays the character Fan Qihui (樊其辉) who works as a professional tailor during the day, and as a cross-dressing (yizhuang易装) performer named Bilang de Linphél in a local pub in Sanlitun, Beijing, at night. This relatively low-budget produc...
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| In: | URI:https://journals.openedition.org/sextant, |
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| Main Author: | |
| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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Sextant
2022
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | IntroductionQiu Jiongjiong’s Madame (Gu Nai Nai姑奶奶, 2010) portrays the character Fan Qihui (樊其辉) who works as a professional tailor during the day, and as a cross-dressing (yizhuang易装) performer named Bilang de Linphél in a local pub in Sanlitun, Beijing, at night. This relatively low-budget production (which is rather emblematic of independent documentary and queer filmmaking in China) deploys techniques such as the adaptation of a black-and-white aesthetic (heibai, 黑白), which has also been... |
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