Jazz, les échelles du plaisir, O. Roueff
Writing the history of a subject from a sociological point of view has emerged as a genre in its own right. In the wake of Pierre Bourdieu’s writings on the genesis and structure of the literary world, and of Paul DiMaggio’s depiction of the transformation of orchestral concerts, Olivier Roueff has...
Gorde:
| Argitaratua izan da: | URI:https://journals.openedition.org/sdt, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Sociologie du travail
2018
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | Writing the history of a subject from a sociological point of view has emerged as a genre in its own right. In the wake of Pierre Bourdieu’s writings on the genesis and structure of the literary world, and of Paul DiMaggio’s depiction of the transformation of orchestral concerts, Olivier Roueff has fashioned a history of jazz in France which focuses the role of intermediaries as links between musicians and the public. Using a keenly manipulated framework of analysis, O. Roueff depicts how su... |
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