Passion without Objects. Young Graduates and the Politics of Temporary Art Spaces
This paper addresses the position of young arts graduates seeking to respond to the unequal access and precarity of jobs in the cultural sector by establishing artist-led temporary spaces. With the increasing dissemination of the discourse of pop-up urban uses in the United Kingdom since 2008, forme...
保存先:
| 出版年: | URI:https://journals.openedition.org/rsa, |
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| 主要な著者: | , |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Recherches sociologiques et anthropologiques
2015
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This paper addresses the position of young arts graduates seeking to respond to the unequal access and precarity of jobs in the cultural sector by establishing artist-led temporary spaces. With the increasing dissemination of the discourse of pop-up urban uses in the United Kingdom since 2008, former genealogies of autonomous self-organised spaces intersect with the urban agendas of public commissioners and private actors. Following a long-established critique of the “creative industries” and recent studies of working conditions in the sector, this paper brings together critical textual analysis of specialized press and policy documents and a series of in-depth interviews with a young arts graduate collective involved in setting up a pop-up space in London. Our research shows how in the context of low-budget public commissions in affluent areas of central London artists are encouraged to translate their passion for autonomous, self-organised practice into dominant discourses of artistic “community provision” and place marketing. |
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