Redéfinir le canon : portrait du héros romanesque en super-héros
Observing the generic exhaustion of the American comic books and of their superheroes, authors such as Frenchmen Lehman and Colin have turned to (French) popular literature to find both the origin and a possible renewal of the genre. More than anyone else, Alan Moore offers a deeper reflexion on the...
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| Publicado no: | URI:https://journals.openedition.org/rrca, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
Revue de recherche en civilisation américaine
2016
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM |
| Resumo: | Observing the generic exhaustion of the American comic books and of their superheroes, authors such as Frenchmen Lehman and Colin have turned to (French) popular literature to find both the origin and a possible renewal of the genre. More than anyone else, Alan Moore offers a deeper reflexion on the comic-book superheroes suggesting three theoretical possibilities: a geographic and cultural transfer from the United-States to continental Europe (and more particularly the United Kingdom), a renewal based on a new definition of the canon of comic books within the literary canon, and the redefinition of the hero in canonical and popular literatures as a new superhero. |
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