Political Commitment of a New Type? Red Wedge and the Labour Party in the 1980s
During the 1980s, many British musicians expressed criticism of Margaret Thatcher’s policies in their music and in interviews with the press. Following the defeat of the miners’ strike in 1985, some came to the conclusion that only way they could contribute to defeating the Prime Minister was by sup...
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| Pubblicato in: | URI:https://journals.openedition.org/rfcb, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Revue française de civilisation britannique
2017
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | During the 1980s, many British musicians expressed criticism of Margaret Thatcher’s policies in their music and in interviews with the press. Following the defeat of the miners’ strike in 1985, some came to the conclusion that only way they could contribute to defeating the Prime Minister was by supporting the Labour Party. In order to do so, they created Red Wedge, a movement of musicians which tried to persuade young people to vote Labour. Red Wedge attempted to promote new forms of activism for musicians but came up against a number of obstacles, such as structural constraints linked to the nature of the music industry. |
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