1917-1927: Russian Film between the Old and the New: Genres, Narratives and Bodies
There are different forms of continuity and shifts in the Russian film after the October Revolution. On the one hand, films by Alexander Panteleev, Vladimir Gardin, and Czeslaw Sabinski adapted the new post-revolutionary reality to the established genres and narratives of the Russian prerevolutionar...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/res, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Revue des études slaves
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |