Visual arts. Contextualizing our perspectives
Kaché sous la pluie. 2016 Acrylic, collage, manufactured butterflies, plywood, 200 x 100 cm. @Nadia JelassiNote : Nadia Jelassi, born in Tunis in 1958, studied art at the Higher Institute of Fine Arts in Tunis, where she teaches today, with a specialty in engraving. However, her work shows that she...
Gorde:
| Argitaratua izan da: | URI:https://journals.openedition.org/remmm, |
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| Egile Nagusiak: | , , , |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
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Revue des mondes musulmans et de la Méditerranée
2018
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | Kaché sous la pluie. 2016 Acrylic, collage, manufactured butterflies, plywood, 200 x 100 cm. @Nadia JelassiNote : Nadia Jelassi, born in Tunis in 1958, studied art at the Higher Institute of Fine Arts in Tunis, where she teaches today, with a specialty in engraving. However, her work shows that she refuses to be confined within categories or a specific style. Her creation protocol is based on projects that develop over three or four years. During this research period, she experiments with th... |
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