Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism
This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/rbep, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Revista Brasileira de Estudos da Presença
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM |