The Actor-Document: traits of a poetics that challenges the limits between presence and representation
During the 1960s and 1970s, Argentine theater experienced an almost simultaneous interest in the documentary and the political, as well as a experimental hybridization of forms. Later developments led to the autobiographical theater of the 1980s and 1990s and to the biodrama of the 2000s. Mi vida de...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/rbep, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Revista Brasileira de Estudos da Presença
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM |