Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator

Built as a cartographic report, this article aims to give insight to the practical and conceptual procedures carried out during the research process that culminated in the scenic and musical creation of the show Uji – O Bom da Roda. Based on the cartographic method, we focus on encounters and contam...

Szczegółowa specyfikacja

Zapisane w:
Opis bibliograficzny
Wydane w:URI:https://journals.openedition.org/rbep,
1. autor: Souza, Eduardo Conegundes
Format: Article ou chapitre numérique
Język:Anglais
Wydane: Revista Brasileira de Estudos da Presença 2023
Hasła przedmiotowe:
Dostęp online:Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/rbep/517