Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator
Built as a cartographic report, this article aims to give insight to the practical and conceptual procedures carried out during the research process that culminated in the scenic and musical creation of the show Uji – O Bom da Roda. Based on the cartographic method, we focus on encounters and contam...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/rbep, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Revista Brasileira de Estudos da Presença
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM |