Takarazuka Revue: acting, atmosphere and gender in Japanese musical theater
This article exposes the elements that legitimize the takarazuka musical theater, founded at the beginning of the 20th century, as a performative language. It starts with two shows, Rose of Versailles and Once upon a time in America, highlighting three elements of analysis: acting methodology, sceni...
Sábháilte in:
| Foilsithe in: | URI:https://journals.openedition.org/rbep, |
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| Príomhchruthaitheoir: | |
| Formáid: | Article ou chapitre numérique |
| Teanga: | Anglais |
| Foilsithe / Cruthaithe: |
Revista Brasileira de Estudos da Presença
2023
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| Ábhair: | |
| Rochtain ar líne: | Accès Université d'Orléans et IFPM |