Xiao Lu: asserting her voice through artistic practice
At the opening of the iconic exhibition China/Avant-Garde (1989, Beijing), the artist Xiao Lu fired two shots at her installation Dialogue and handed the gun to the artist Tang Song, who would later become her boyfriend. From that moment on, the artworld attributed the piece to Tang Song and Xiao Lu...
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| I publikationen: | URI:https://journals.openedition.org/rbep, |
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| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
| Publicerad: |
Revista Brasileira de Estudos da Presença
2023
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| Ämnen: | |
| Länkar: | Accès Université d'Orléans et IFPM |