Stripping Time: erotic-political rifts in the performance project Strip Tempo – contemporary stripteases
This article instigates relations between an artistic creation and its composition with a political time by examining the artistic project Strip Tempo – contemporary stripteases (2018). The live version of the project premiered the same week Jair Bolsonaro was elected president of Brazil. Its online...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/rbep, |
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| Prif Awduron: | , |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Revista Brasileira de Estudos da Presença
2023
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| Pynciau: | |
| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM |
| Crynodeb: | This article instigates relations between an artistic creation and its composition with a political time by examining the artistic project Strip Tempo – contemporary stripteases (2018). The live version of the project premiered the same week Jair Bolsonaro was elected president of Brazil. Its online configuration, Web-Strips (2021), took place during the pandemic. The text begins with a political and aesthetic contextualization of these performances; then, contributions from psychoanalysis and burlesque arts, along with the notion of performative archive, dialogue with the artistic proposition of stripteases. The conclusion affirms that the stripteases – in their live and remote versions – aesthetically and erotically summarize the trajectories of these contemporary artists. They also mobilize discussions about the naked body – whether as the last frontier of an ultra-conservative morality in Brazil, or as an experience that expresses an erotic drive in the arts. |
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