The Performance Leite Derramado: challenging the controlling images
The article proposes to analyze the performance Leite Derramado (2013) by artist Ana Musidora from the perspective of the representation of the Black mother. In this regard, we investigate the concept of controlling images by American sociologist Patricia Hill Collins and the images invoked to defin...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/rbep, |
|---|---|
| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Revista Brasileira de Estudos da Presença
2023
|
| Pynciau: | |
| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM |
| Crynodeb: | The article proposes to analyze the performance Leite Derramado (2013) by artist Ana Musidora from the perspective of the representation of the Black mother. In this regard, we investigate the concept of controlling images by American sociologist Patricia Hill Collins and the images invoked to define black women in Brazil, by Anthropologist Lélia Gonzalez. We reflect on how Leite Derramado explores critical layers on the images/historical representations sorted according to patriarchal and slavocratic values on Black women. |
|---|