Figures of movement in Athenian tragedy of the 5th century BC
The purpose of this article is to place dance at the center of the historical analysis of Athenian tragedy of the 5th century BC. To do so, a trajectory is proposed that begins with the culture of performance, passes through the culture of festivals, the dance of the chorus and the teaching of the o...
Na minha lista:
| Publicado no: | URI:https://journals.openedition.org/rbep, |
|---|---|
| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Revista Brasileira de Estudos da Presença
2023
|
| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM |
| Resumo: | The purpose of this article is to place dance at the center of the historical analysis of Athenian tragedy of the 5th century BC. To do so, a trajectory is proposed that begins with the culture of performance, passes through the culture of festivals, the dance of the chorus and the teaching of the old drunken satyr, and then reviews the concepts of opsis and psuchagôgia in Aristotle’s Poetics. Thus, the objective is to understand how the ritual-civic performance of the ancient Greek actors-singers-dancers, based on the creation of figures of movement, was also an act of evoking souls in the context of a public festivity. |
|---|