Collapse tactics in performing arts: on the urgency of surviving and standing up
This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Mara...
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| Wydane w: | URI:https://journals.openedition.org/rbep, |
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| Główni autorzy: | , |
| Format: | Article ou chapitre numérique |
| Język: | Anglais |
| Wydane: |
Revista Brasileira de Estudos da Presença
2023
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| Hasła przedmiotowe: | |
| Dostęp online: | Accès Université d'Orléans et IFPM |
| Streszczenie: | This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic. |
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