A Questionable “Pleasure”: Ruins in John Piper’s and Paul Nash’s Wartime Landscape Paintings
The resurgence of Romantic influences in British art, from the late 1930s through the 1940s, has often been understood as an escapist answer to the turmoils of the time, and a longing for a lost pastoral idyll. This essay, which focuses on the wartime production of John Piper and Paul Nash, argues t...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/ranam, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Recherches anglaises et nord-américaines
2024
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |