All is not Gold that Glitters: The Gilded Apple (1899)
In 1901, the neo-pre-Raphaelite artist Eleanor Fortescue-Brickdale became an overnight success with a show of watercolours at the London dealers Dowdeswell’s. The works were characterised by critics as decorative moralities relying on allegory and literary reference. Focussing on one of these works,...
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| Vydáno v: | URI:https://journals.openedition.org/polysemes, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Polysèmes
2016
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |