Foreword
In his recent anthology, Gérard-Georges Lemaire observes that gold is omnipresent in the history of art from the early Bronze Age. Among contemporary artists too, the art critic notes the renewed fascination for gold in works by Yves Klein, Anish Kapoor, James Lee Byars, Jean-Pierre Raynaud, or Orl...
Shranjeno v:
| izdano v: | URI:https://journals.openedition.org/polysemes, |
|---|---|
| Glavni avtor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Polysèmes
2016
|
| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:polysemes_888 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:polysemes_888 https://doi.org/10.4000/polysemes.888 urn:doi:10.4000/polysemes.888 en https://journals.openedition.org/polysemes/888 2016-08-23T02:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/j64s All rights reserved Foreword In his recent anthology, Gérard-Georges Lemaire observes that gold is omnipresent in the history of art from the early Bronze Age. Among contemporary artists too, the art critic notes the renewed fascination for gold in works by Yves Klein, Anish Kapoor, James Lee Byars, Jean-Pierre Raynaud, or Orlan (Lemaire 2). This is further evidenced in several recent art exhibitions, such as “Gold” (Belvedere, Vienna, 2012), “Going for Gold” (Seattle Art Museum, 2013), “Beyond El Dorado: power and gold... Polysèmes SAIT info:eu-repo/semantics/reference/issn/2496-4212 info:eu-repo/semantics/reference/issn/0999-4203 URI:https://journals.openedition.org/polysemes Delyfer, Catherine |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In his recent anthology, Gérard-Georges Lemaire observes that gold is omnipresent in the history of art from the early Bronze Age. Among contemporary artists too, the art critic notes the renewed fascination for gold in works by Yves Klein, Anish Kapoor, James Lee Byars, Jean-Pierre Raynaud, or Orlan (Lemaire 2). This is further evidenced in several recent art exhibitions, such as “Gold” (Belvedere, Vienna, 2012), “Going for Gold” (Seattle Art Museum, 2013), “Beyond El Dorado: power and gold... |
| author |
Delyfer, Catherine |
| spellingShingle |
Delyfer, Catherine Foreword |
| author_facet |
Delyfer, Catherine |
| author_sort |
Delyfer, Catherine |
| title |
Foreword |
| title_short |
Foreword |
| title_full |
Foreword |
| title_fullStr |
Foreword |
| title_full_unstemmed |
Foreword |
| title_sort |
foreword |
| publisher |
Polysèmes |
| publishDate |
2016 |
| container_title |
URI:https://journals.openedition.org/polysemes |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/polysemes.888 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/polysemes/888 |
| _version_ |
1877242529160626176 |