Foreword
In his recent anthology, Gérard-Georges Lemaire observes that gold is omnipresent in the history of art from the early Bronze Age. Among contemporary artists too, the art critic notes the renewed fascination for gold in works by Yves Klein, Anish Kapoor, James Lee Byars, Jean-Pierre Raynaud, or Orl...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/polysemes, |
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| Glavni autor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Polysèmes
2016
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sažetak: | In his recent anthology, Gérard-Georges Lemaire observes that gold is omnipresent in the history of art from the early Bronze Age. Among contemporary artists too, the art critic notes the renewed fascination for gold in works by Yves Klein, Anish Kapoor, James Lee Byars, Jean-Pierre Raynaud, or Orlan (Lemaire 2). This is further evidenced in several recent art exhibitions, such as “Gold” (Belvedere, Vienna, 2012), “Going for Gold” (Seattle Art Museum, 2013), “Beyond El Dorado: power and gold... |
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