“Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.

A distinctive thread is sustained through Abdulrazak Gurnah’s works, Paradise (1994) and Afterlives (2020) before culminating in Theft (2025), making up a trilogy. This article interrogates the dynamics of reflection and refraction in the translation into Swahili of the trilogy, particularly Paradis...

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書誌詳細
出版年:URI:https://journals.openedition.org/pla,
第一著者: Hadjivayanis, Ida
フォーマット: Article ou chapitre numérique
言語:Anglais
出版事項: Postcolonial Literatures and Arts 2026
主題:
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:pla_4763 https://doi.org/10.4000/16673 urn:doi:10.4000/16673 en https://journals.openedition.org/pla/4763 2026-05-04T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/16673 https://creativecommons.org/licenses/by-nc-nd/4.0/ “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma. Postcolonial Literatures and Arts Société des Études Postcoloniales info:eu-repo/semantics/reference/issn/3074-5136 URI:https://journals.openedition.org/pla Hadjivayanis, Ida translation Swahili translationality translating home cross-cultural narrative Peponi Dhulma A distinctive thread is sustained through Abdulrazak Gurnah’s works, Paradise (1994) and Afterlives (2020) before culminating in Theft (2025), making up a trilogy. This article interrogates the dynamics of reflection and refraction in the translation into Swahili of the trilogy, particularly Paradise and Theft, translated respectively as Peponi (2022) and Dhulma (2025). Translation is understood as movement between languages, cultures, and narrative-worlds that foreground questions of linguistic transference, translational strategies, and translationality.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic translation
Swahili
translationality
translating home
cross-cultural narrative
Peponi
Dhulma
spellingShingle translation
Swahili
translationality
translating home
cross-cultural narrative
Peponi
Dhulma
Hadjivayanis, Ida
“Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
description A distinctive thread is sustained through Abdulrazak Gurnah’s works, Paradise (1994) and Afterlives (2020) before culminating in Theft (2025), making up a trilogy. This article interrogates the dynamics of reflection and refraction in the translation into Swahili of the trilogy, particularly Paradise and Theft, translated respectively as Peponi (2022) and Dhulma (2025). Translation is understood as movement between languages, cultures, and narrative-worlds that foreground questions of linguistic transference, translational strategies, and translationality.
author Hadjivayanis, Ida
author_facet Hadjivayanis, Ida
author_sort Hadjivayanis, Ida
title “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
title_short “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
title_full “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
title_fullStr “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
title_full_unstemmed “Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
title_sort “why do we have so many uncles?”: linguistic transference and translationality in gurnah’s peponi and dhulma.
publisher Postcolonial Literatures and Arts
publishDate 2026
container_title URI:https://journals.openedition.org/pla
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/16673
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/pla/4763
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