“Why do we have so many uncles?”: Linguistic Transference and Translationality in Gurnah’s Peponi and Dhulma.
A distinctive thread is sustained through Abdulrazak Gurnah’s works, Paradise (1994) and Afterlives (2020) before culminating in Theft (2025), making up a trilogy. This article interrogates the dynamics of reflection and refraction in the translation into Swahili of the trilogy, particularly Paradis...
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| Vydáno v: | URI:https://journals.openedition.org/pla, |
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Postcolonial Literatures and Arts
2026
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |