“Historical fiction is back”: (Non)Fictional Pasts and Presents in Fred Khumalo’s metahistorical romance, The Longest March

This article examines the ways Fred Khumalo’s second historical novel, The Longest March, blends different genres – from the use of gothic tropes to the rewriting of historical romances – to reflect on both the fabricated and limited nature of narrative, as well as its necessity and potential in the...

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Detalles Bibliográficos
Publicado en:URI:https://journals.openedition.org/pla,
Autor Principal: Lods, Indiana
Formato: Article ou chapitre numérique
Idioma:Anglais
Publicado: Postcolonial Literatures and Arts 2025
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Acceso en liña:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/1422g
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/pla/2388