Museum ad nauseam? Museums in the post-modern labyrinth
In 1956, as France was just beginning to savor the benefits of a consumer society, Charles Estienne, an influential and popular French art critic who was championing the most advanced forms of modern art, finally decided to give up his career in the art world and devote himself to writing popular s...
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| Publicat a: | URI:https://journals.openedition.org/perspective, |
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| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Perspective
2016
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openedition-oai:revues.org:perspective_6078 |
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openedition |
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openedition-oai:revues.org:perspective_6078 https://doi.org/10.4000/perspective.6078 urn:doi:10.4000/perspective.6078 en https://journals.openedition.org/perspective/6078 2016-01-20T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/ixwd All rights reserved Museum ad nauseam? Museums in the post-modern labyrinth In 1956, as France was just beginning to savor the benefits of a consumer society, Charles Estienne, an influential and popular French art critic who was championing the most advanced forms of modern art, finally decided to give up his career in the art world and devote himself to writing popular songs, in particular for his anarchist friend Léo Ferré, and quickly became the household name of French intellectual songwriting. In order to justify such a radical change, Estienne, who had previo... Perspective Institut national d'histoire de l'art info:eu-repo/semantics/reference/issn/2269-7721 info:eu-repo/semantics/reference/issn/1777-7852 URI:https://journals.openedition.org/perspective Guilbaut, Serge Europe Amérique musée tourisme consommation art moderne museum consumer culture tourism modern art |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
musée tourisme consommation art moderne museum consumer culture tourism modern art |
| spellingShingle |
musée tourisme consommation art moderne museum consumer culture tourism modern art Guilbaut, Serge Museum ad nauseam? Museums in the post-modern labyrinth |
| description |
In 1956, as France was just beginning to savor the benefits of a consumer society, Charles Estienne, an influential and popular French art critic who was championing the most advanced forms of modern art, finally decided to give up his career in the art world and devote himself to writing popular songs, in particular for his anarchist friend Léo Ferré, and quickly became the household name of French intellectual songwriting. In order to justify such a radical change, Estienne, who had previo... |
| author |
Guilbaut, Serge |
| author_facet |
Guilbaut, Serge |
| author_sort |
Guilbaut, Serge |
| title |
Museum ad nauseam? Museums in the post-modern labyrinth |
| title_short |
Museum ad nauseam? Museums in the post-modern labyrinth |
| title_full |
Museum ad nauseam? Museums in the post-modern labyrinth |
| title_fullStr |
Museum ad nauseam? Museums in the post-modern labyrinth |
| title_full_unstemmed |
Museum ad nauseam? Museums in the post-modern labyrinth |
| title_sort |
museum ad nauseam? museums in the post-modern labyrinth |
| publisher |
Perspective |
| publishDate |
2016 |
| container_title |
URI:https://journals.openedition.org/perspective |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/perspective.6078 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/perspective/6078 |
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1877242702661156864 |