Museum ad nauseam? Museums in the post-modern labyrinth
In 1956, as France was just beginning to savor the benefits of a consumer society, Charles Estienne, an influential and popular French art critic who was championing the most advanced forms of modern art, finally decided to give up his career in the art world and devote himself to writing popular s...
Guardat en:
| Publicat a: | URI:https://journals.openedition.org/perspective, |
|---|---|
| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicat: |
Perspective
2016
|
| Matèries: | |
| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |