The art of California counter-culture in the 1950s
Different and marginalized, California stood for a long time on the fringes of the major debates and artistic events that agitated the New York scene, which is why it has remained until today the poor relation in studies of American art. Whereas New York celebrated the triumph of Abstract Expressio...
Αποθηκεύτηκε σε:
| Τόπος έκδοσης: | URI:https://journals.openedition.org/perspective, |
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| Κύριος συγγραφέας: | |
| Μορφή: | Article ou chapitre numérique |
| Γλώσσα: | Anglais |
| Έκδοση: |
Perspective
2016
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| Θέματα: | |
| Διαθέσιμο Online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Περίληψη: | Different and marginalized, California stood for a long time on the fringes of the major debates and artistic events that agitated the New York scene, which is why it has remained until today the poor relation in studies of American art. Whereas New York celebrated the triumph of Abstract Expressionism, the California art scene was plagued by a shortage of exhibition space and a lack of interest in contemporary art in general, and local art in particular. This lack of visibility contributed ... |
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