“Maniera sfumata, dolce, e vaga”: the recent canonization of Federico Barocci
The painter Federico Barocci has received renewed attention in the last decade: monographs and exhibitions manifest an increased interest in his life, work and impact on later artists. The (sub)titles of recent exhibitions such as Brilliance and Grace (London, The National Gallery, 2013), Renaissan...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/perspective, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Perspective
2015
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | The painter Federico Barocci has received renewed attention in the last decade: monographs and exhibitions manifest an increased interest in his life, work and impact on later artists. The (sub)titles of recent exhibitions such as Brilliance and Grace (London, The National Gallery, 2013), Renaissance Master of Color and Line (Saint Louis Art Museum, 2012) or L’incanto del colore (Siena, Santa Maria della Scala, 2009-2010) highlighted the visual attraction of his work for the general beholder... |
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