State, nation, and empire in the history of Georgian art
Over the past decade, historians of British art have become increasingly interested in the structure of the British state and in its relationship to fine art. Art historians have initiated what could be termed a “political turn” in the field through a series of studies on slavery and the Black Atlan...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/perspective, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Perspective
2013
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |