The end of the “Greek Revolution”?
Roman art has undergone something of a Renaissance in recent years. Condemned by Johann Joachim Winckelmann as “second rate,” the sculpture of the Roman Empire now rejoices in this “secondary” status, appreciated rather than denigrated for the various ways in which its reliance on, and (we now real...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/perspective, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Perspective
2015
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | Roman art has undergone something of a Renaissance in recent years. Condemned by Johann Joachim Winckelmann as “second rate,” the sculpture of the Roman Empire now rejoices in this “secondary” status, appreciated rather than denigrated for the various ways in which its reliance on, and (we now realize) often witty appropriation of, Greek cultural production helped to define classical style. But “the classical” in classicism remains enigmatic, with art historians having to work harder than ... |
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