Refleksje historyka literatury wobec zawieszonej edycji krytycznej „Pism wszystkich” Bolesława Prusa
The year 2014 marks the issuing of the first volume of Bolesław Prus’ Pisma wszystkie (Collected Works) financed by the National Programme for the Development of Humanities. The publication was planned to amount to 70 volumes and, as signalled in this title, meant to include the writer’s whole outpu...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/pamietlit, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Polonais |
| Baskı/Yayın Bilgisi: |
Pamiętnik Literacki
2022
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| Online Erişim: | Accès Université d'Orléans et IFPM |
| Özet: | The year 2014 marks the issuing of the first volume of Bolesław Prus’ Pisma wszystkie (Collected Works) financed by the National Programme for the Development of Humanities. The publication was planned to amount to 70 volumes and, as signalled in this title, meant to include the writer’s whole output. None of the initiatives to publish Prus’ work undertaken so far has been completed. The project realised according to the newest (textological, typographic, and literary-historical) principles by the editorial committee, Prus scholars, aimed to offer the edition to various scholars (literary, history, press etc.) as well as to preserve in the model version one of the elements of national heritage—highest artistic quality literature. After the publication of the volume 35, the edition was suspended due to lack of further financing. The paper discusses the already published volumes, comments on e.g. its editorial shape, composition, level of explicatory introductions, and the importance of the edition for Prus scholars and other researchers of the second part of the 19th century. The discussion is accompanied by a reflection over the condition of the Polish humanities, and especially over the problems caused by neglecting by the changing decision-makers of by its nature long lasting process of petrifying the shape of national identity and preserving the cultural memory. |
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