Encuentros y desencuentros entre dos grandes obras: El río Oscuroy Las aguas bajan turbias (Argentina, 1943/1952)
Much of Argentine cinema of the 40's and 50’s echoed the social transformations of that period. During the Peronist government, cinema director and tango singer Hugo del Carril included oppressed social sector of rural areas in his films, especially in Dark River (1952), film based on the novel...
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| Dans: | URI:https://journals.openedition.org/nuevomundo, |
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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Nuevo mundo mundos nuevos
2012
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |