Apontamentos em torno do cinema brasileiro da década de 1990
This essay analyses some brazilian films launched during the 1990’s, particularly Carlota Joaquina (1995, Carla Camurati), O Quatrilho (1995, Fábio Barreto) Terra Estrangeira (1995, Walter Salles), Jenipapo (1996, Monique Gardenberg) and O que é isso, companheiro? (1997, Bruno Barreto). In spite of...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/nuevomundo, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Portugais |
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Nuevo mundo mundos nuevos
2007
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | This essay analyses some brazilian films launched during the 1990’s, particularly Carlota Joaquina (1995, Carla Camurati), O Quatrilho (1995, Fábio Barreto) Terra Estrangeira (1995, Walter Salles), Jenipapo (1996, Monique Gardenberg) and O que é isso, companheiro? (1997, Bruno Barreto). In spite of stylistic differences, this article shows that these films have a very important common characteristic: they were syntonized with the globalization process. |
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