Naborowski – warsztatowo, ale bona fide
The article is devoted to the analysis of style of Daniel Naborowski. As a critical edition of the poet’s works has not yet been created, the author selects a set of texts that do not raise any doubt for scholars (especially the pieces within the manuscript Wirydarz poetycki [The poetry cloister])....
Zapisane w:
| Wydane w: | URI:https://journals.openedition.org/napis, |
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| 1. autor: | |
| Format: | Article ou chapitre numérique |
| Język: | Polonais |
| Wydane: |
Napis
2026
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| Hasła przedmiotowe: | |
| Dostęp online: | Accès Université d'Orléans et IFPM |
| Streszczenie: | The article is devoted to the analysis of style of Daniel Naborowski. As a critical edition of the poet’s works has not yet been created, the author selects a set of texts that do not raise any doubt for scholars (especially the pieces within the manuscript Wirydarz poetycki [The poetry cloister]). Naborowski’s art of versification is analysed (metre, rhymes), and so is his poetic rhetoric. The author states that the poet is a continuator of the Kochanowski tradition, which he transforms in a Mannerist spirit, albeit never departing far from Renaissance Classicism. The author recognises the carefully edited phonic layer (the richness of instrumentation of phones of various nature) as a distinguishing element of Naborowski’s poetry. The studies conducted also lead to the conclusion that attributing translations of Petrarch or Du Bartas to Naborowski is a very uncertain hypothesis. |
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