Religious Images and Urban Places in Vergil’s Aeneid
Vergil’s Aeneid, written in the Augustan period, when Rome appeared at the height of its urban development and was widely regarded as the city par excellence, powerfully addresses the changes that the space of the city of Rome experienced over time. In the poem, different sites of the city appear mo...
保存先:
| 出版年: | URI:https://journals.openedition.org/mythos, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Mythos
2021
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Vergil’s Aeneid, written in the Augustan period, when Rome appeared at the height of its urban development and was widely regarded as the city par excellence, powerfully addresses the changes that the space of the city of Rome experienced over time. In the poem, different sites of the city appear modified by many agents who had appropriated, transformed, and crafted them through a range of religious and civic practices. Subtly, Vergil takes the topic of urban development and brings Rome's humble origins and its emblematic places to the memory of his contemporaries, with a strong emphasis on different kinds of religious images and expressions. In this way, the focus on the relationship between Roman religion and urban space allows us to read the Aeneid from a viewpoint that warrants further investigation. |
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