Exhibition Review: The Fallen Woman
The Foundling Museum’s recent small exhibition ‘The Fallen Woman’ forms a salutary contrast with the considerably larger show ‘Splendour and Misery: Pictures of Prostitution, 1850-1910’ at the Musée d’Orsay, Paris (22 September 2015–17 January 2016). The Paris show, dedicated to the depiction of th...
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| Publicado en: | URI:https://journals.openedition.org/miranda, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Miranda
2016
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The Foundling Museum’s recent small exhibition ‘The Fallen Woman’ forms a salutary contrast with the considerably larger show ‘Splendour and Misery: Pictures of Prostitution, 1850-1910’ at the Musée d’Orsay, Paris (22 September 2015–17 January 2016). The Paris show, dedicated to the depiction of the ‘realities and fantasies’ of female prostitution–male prostitution, a thriving concern in this era, being singularly absent–lent heavily on the ‘fantasies’, serving up the masculine objectificati... |
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