Charlotte Gould and Sophie Mesplède (eds), Marketing Art in the British Isles, 1700 to the Present
Marketing Art in the British Isles, 1700 to the Present, edited by Charlotte Gould and Sophie Mesplède, partakes of the emerging trend of art market studies, no longer deemed unworthy of research. Arthur Danto had endorsed the idea that artwork could not be envisaged outside its professional, comme...
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| Publicado no: | URI:https://journals.openedition.org/miranda, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Miranda
2015
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | Marketing Art in the British Isles, 1700 to the Present, edited by Charlotte Gould and Sophie Mesplède, partakes of the emerging trend of art market studies, no longer deemed unworthy of research. Arthur Danto had endorsed the idea that artwork could not be envisaged outside its professional, commercial and critical context. The influence of economic factors upon visual culture has already been touched upon by Michael Baxandall, Richard Goldwaite, Evelyn Welch and Michelle O’Malley, to name ... |
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