Claire Guéron, Allegorising Thought on the Shakespearean Stage. The Discovery of the Mind
Claire Guéron’s enlightening six-part monograph links theatricality and Renaissance mind theory (2) and explores the “mysterious process” leading to dramatize the “inside of a character’s mind” (1) and more particularly its hidden nature. Pairing multiple approaches (close reading, new historicist...
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| Argitaratua izan da: | URI:https://journals.openedition.org/miranda, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
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Miranda
2024
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| Gaiak: | |
| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | Claire Guéron’s enlightening six-part monograph links theatricality and Renaissance mind theory (2) and explores the “mysterious process” leading to dramatize the “inside of a character’s mind” (1) and more particularly its hidden nature. Pairing multiple approaches (close reading, new historicist uses of rhetoric, cognitive metaphor theory, psychoanalysis, emotion and performance studies) Guéron shows that the “excess of meaning” produced on the Renaissance stage gave “a character’s thought... |
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