Chaste or chased? Interpreting Indiscretion in Tennessee Williams’ Suddenly Last Summer
Suddenly Last Summer dramatizes a hermeneutic problem recurrently presented in Williams’ critical writings: the separation (or absence thereof) between art and life. While the truth about Sebastian Venable’s death seems to be revealed (even if it turns out to be dubious), the possible connection of...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/miranda, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Miranda
2013
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |