Verdant Surfaces and Ambiguous Vividity: Ebony G. Patterson at CAMSTL
Verdant Surfaces and Ambiguous VividityEverything is everything and everything is beautiful—Brittany Howard, “Stay High”Illustration 1: Ebony G. Patterson (1981-), ...between the stems sits a red cap above and below crown imperials.... Installation view. Contemporary Art Museum St. Louis, 11 Septem...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/miranda, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Miranda
2021
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| Konular: | |
| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | Verdant Surfaces and Ambiguous VividityEverything is everything and everything is beautiful—Brittany Howard, “Stay High”Illustration 1: Ebony G. Patterson (1981-), ...between the stems sits a red cap above and below crown imperials.... Installation view. Contemporary Art Museum St. Louis, 11 September 2020-21 February 2021.Photograph: Dusty KesslerBefore I reach the check-in desk at Contemporary Art Museum St. Louis (CAMSTL), Ebony G. Patterson’s clean yet chaotic ...between the stems sits a... |
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