Max Steiner’s Musical Pictures: “If you get too decorative, you lose your appeal to the emotions”
By devising a “geography of the soundscape” (Stilwell), Max Steiner used the scores he composed and directed to generate maximum effect and affect. Balancing the dynamic relation between music and image, he was one of the first Hollywood composers to use sections of the score as mnemonic devices....
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| Publicado en: | URI:https://journals.openedition.org/miranda, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Miranda
2021
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| Materias: | |
| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | By devising a “geography of the soundscape” (Stilwell), Max Steiner used the scores he composed and directed to generate maximum effect and affect. Balancing the dynamic relation between music and image, he was one of the first Hollywood composers to use sections of the score as mnemonic devices. |
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