Patrizia Di Bello and Gabriel Koureas, Art, History and the Senses—1830 to the Present
In the foreword, “Disciplining the Senses: Beethoven as Synaesthetic Paradigm”, Simon Shaw Miller starts by saying how the departmental structure of universities have encouraged us to think along disciplinary lines. Drawing on two of Hoffman’s texts, one of which is on Beethoven and the other on Jo...
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| I publikationen: | URI:https://journals.openedition.org/miranda, |
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| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
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Miranda
2013
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| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sammanfattning: | In the foreword, “Disciplining the Senses: Beethoven as Synaesthetic Paradigm”, Simon Shaw Miller starts by saying how the departmental structure of universities have encouraged us to think along disciplinary lines. Drawing on two of Hoffman’s texts, one of which is on Beethoven and the other on Johannes Kreisler, Miller says that instrumental music’s very invisibility opens the inner eye to richer visions because it is severed from the sensual world and any fixed signification.In their intr... |
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