Introduction
Arguably, modernism is indebted to romantic aesthetics, notably to the postulate that all areas of reality, be they noble or ignoble, can be represented and given shape through an original gesture of artistic creation. Indeed, in many modernist works, new zones of experience, new aspects of corpore...
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| Опубликовано в: : | URI:https://journals.openedition.org/miranda, |
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| Главные авторы: | , |
| Формат: | Article ou chapitre numérique |
| Опубликовано: |
Miranda
2020
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | Arguably, modernism is indebted to romantic aesthetics, notably to the postulate that all areas of reality, be they noble or ignoble, can be represented and given shape through an original gesture of artistic creation. Indeed, in many modernist works, new zones of experience, new aspects of corporeality and sexuality, have gained both visibility and aesthetic dignity through the invention of experimental forms, as excretory body functions famously did in Joyce’s Ulysses. In the process, mode... |
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