Review of the exhibition “Edward Burne-Jones: Pre-Raphaelite Visionary” at Tate Britain (24/10/2018 – 24/02/2019)
A few days before the opening of the exhibition on Edward Burne-Jones, Tate Britain released a tantalising trailer for this unique event, as no exhibition devoted to the Victorian artist had been held since 1998 – in his hometown, Birmingham – and for over forty years in London. Featuring three mes...
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| Pubblicato in: | URI:https://journals.openedition.org/miranda, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Miranda
2019
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | A few days before the opening of the exhibition on Edward Burne-Jones, Tate Britain released a tantalising trailer for this unique event, as no exhibition devoted to the Victorian artist had been held since 1998 – in his hometown, Birmingham – and for over forty years in London. Featuring three mesmerising tableaux vivants of pictures by Burne-Jones (Laus Veneris, Love among the Ruins, and The Rose Bower), the trailer highlights the approach adopted by Chief Curator Alison Smith, and Assista... |
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