Noelia Hernando Real, Voces Contra la Mediocridad : la Vanguardia Teatral de los Provincetown Players, 1915-1922
The Provincetown Players are known as the community that transformed the theatrical landscape in the United States at the beginning of the 20th century. Tired of and disappointed with commercial theater and the monopoly of Broadway, the Provincetown Players became a refreshing force that staged nin...
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| 出版年: | URI:https://journals.openedition.org/miranda, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
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Miranda
2017
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | The Provincetown Players are known as the community that transformed the theatrical landscape in the United States at the beginning of the 20th century. Tired of and disappointed with commercial theater and the monopoly of Broadway, the Provincetown Players became a refreshing force that staged ninety-three plays by forty-seven American playwrights between 1915 and 1922. Noelia Hernando Real presents in Voces Contra la Mediocridad : la Vanguardia Teatral de los Provincetown Players, 1915-192... |
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