Marielle Macé, Styles. Critique de nos formes de vie
The notion of style has long been recognised as both a key point of interest and a major source of dispute among specialists of aesthetics. In a growing body of literature, many have discussed its elusive semantic contours, failing to reach any consensus. Marielle Macé’s pioneering essay both ackno...
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| Pubblicato in: | URI:https://journals.openedition.org/miranda, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Miranda
2017
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | The notion of style has long been recognised as both a key point of interest and a major source of dispute among specialists of aesthetics. In a growing body of literature, many have discussed its elusive semantic contours, failing to reach any consensus. Marielle Macé’s pioneering essay both acknowledges and eschews the long-standing definitional debate, setting out instead to make sense of the very conflicts that surface whenever the notion of style is called forth. A mere look at the tabl... |
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